Illustration Friday: Fruit of the Earth

Inks on Paper / 2005

"Cultivate" is the theme for Illustration Friday this week.  Being one of the breadbaskets of the world, we work our land to produce a variety of different foods in our country to supply not only our own needs but other areas of the world as well.  Of all the works I have involving food, I found the most interesting to be that of the magic mushroom in this early illustration from 2005 which is included in my book, Dip and Trip .45.

Dating back as far as we know of human history, man has ingested certain natural plants for a deeper purpose than their nutritional value.  Plants we label with stigmatic names like narcotics and drugs, early cultures used  in religious ceremonies and spiritual quests.  Such substances include coca leaves, peyote, marijuana, and psilocybin mushrooms. There are over 190 species of mushrooms on our planet which can be ingested and induce a state of hallucination.  Shamanic uses of mushrooms have been documented to date back as far as a million years (discovered in ancient African cave art.)  The magic mushroom is a unique drug in the facet that it doesn't cause a buzz or intoxication to the user.  Psilocybin lifts the curtain on reality to expose what's been there the entire time and returns it's host to the wonderment of childhood when everything was new and interesting.  This unique drug experience really sobers one up to reality as opposed to drawing them away from it.

Educate yourself before you seek out and experiment with any drug.  Click HERE for a plethora of information on Magic Mushrooms from The Vaults of Erowid.

It is your right to choose to alter your consciousness through substances such as psilocybin.  Visit The Center for Cognitive Liberty and Ethics for more informational material on drug use and freedom of thought.

(Click here to see all my Illustration Friday weekly entries)

Happy Valentines Day!

Happy V-day!  Check out the DREGstudios! Fan Page on Facebook today to post a pic of yourself "Showing Your Love" (this is open to your own interpretation.)  Winners will get a free print in the mail this week!  Today, I'm going to post a few nudes from several years back in commemoration of the sweetest and sexiest holiday of the year.

Our first piece today is an illustration from 2005 when I was first getting started with the medium of markers.  Lots of my work from that year was random.  This gal made it into my Dip and Trip .45 book (as did a lot of the more random works from 2005-2007.)

"The Dance" (Inks on Paper / 2006)

"The Dance" is from my Scenes of Faith and Devotion exhibit from 2007.  It depicts two nude figures dancing and was a little too racy for the show, so it wasn't included.  I later had an uncensored version of the show at a second venue with all of the intended works on display.  There were a few nice works from this series of figures playing and praying and dancing and such around large flowers.  Most of these works were also highlighted with gel and glitter pens (which is hard to tell from the scan.)

"Love in an Elevator" (2007 / inks on scrap brstol)

Reminiscing about Danville Bridge

I always go home for the holidays.  I grew up in Tennessee Ridge, which is where my wife and I spent our Thanksgiving last night with my family.  This entire area of the mid-state is very rural.  The instant I cross the county line, I'm flooded with a full range of emotion and nostalgia for my late teens and backroad-driving, woods-tromping, creek-swimming good times.  I find it no coincidence the work of art which I chose to finish up tonight: an illustration I sketched out months back inspired by a bridge a few of us know about and had some candid moments around, on, in, and occasionally (for some) climbing on and/or falling off of.  I'd always wanted to do a drawing of the actual bridge, but here is the work inspired by it...



The Danville Bridge doesn't exist any more (as far as how we knew it.)  A bridge at one time crossed Kentucky Lake and connected Houston and Benton Counties.  I'm assuming when trains stopped running the tracks, Benton County demolished their side.  What was left was a framed bridge which ran about a quarter of the way out into the lake and stopped.  Well, we thought this was the coolest damn place in the world to sneak out to and hang out when we were in high school (and shortly thereafter.)  The walk to the edge was scary as hell considering at some point they had taken out the planks for about the first twenty yards from the water's bank to discourage people from venturing out onto it.  Some wonderful (and acrobatic) soul had remedied this at some point before we came along by welding a steel mesh walkway out to what was left of the bridge.  Heading out, you're looking straight down through this 18 inch wide mesh to the rocky lakeside, which was upwards of 40-50 feet below.  With no guard rails and nothing on either side of you but a loooooong drop down, hold your breath and keep looking forward.  A couple years ago, a local family purchased the land now and has since blocked access to the bridge from the public, isolating my experiences of this infamous spot to those which have already been played out.

In early 2000, I had abandoned my visual arts skills for those of the pen and paper and the limitless verse swarming in my head.  I was never to be found without a notebook (and I filled several in a three year period.)  Writing is a young man's sport and I figured I had to get my practice and drills in every chance I caught the fever of words in my brain.  One late night, I ventured out to Danville Bridge with a few of my close friends, we were on the tail end of an LSD trip and wanted to see the sun come up somewhere beautiful that morning.  Here is the poem inspired by the experience from my collection of poems entitled Dip and Trip .45, which you can preview and purchase here at Lulu Press.

bridge

walking about the gloom of blue shade

          and picking seeds

a softening pattern of graffiti

    on the palimpsest stomach of the bridge

names and stipulation-

hyperventilating hodgepodge of remembrance    

          speaking quiet languages

a collected ground

          tenacious spirit

timeless in the undulated blackness

chimps limbering about the caged casing-

          a rust iron skeleton

edges of eternity

          with the clause

          that an edge is not an end

          nor a barrier

the stars grew and withdrew

          blue highlights of cloud

          made love to the horizon

i became

the sun winked over miles

          and with feathery breath,

gradated color

          into nativity

i beheld grass growing from wood planks

          at the lip of conception

This was a very small and intricate work, so I got a perspective shot.  It's hard to make out all the detail in the scan, especially the tiny eyes throughout the sky I did with a .005 flesh-tone pen... 

 

UPDATE 12/07/10

I just found a blast from the past... I had forgotten all about it!  This illustration was composed using a reference photo I took of the bridge about ten years ago.  The drawing is from 2005...